Deux regards perdus vers l’horizon

Deux regards perdus vers l’horizon is a live performance for amplified cello, amplified sitar, and electronics performed by Jake Bernsten, Jean-Patrick Besingrand, Caitlin Quinlan, and Kristian Tchetechko.

After a quick brainstorming session, the idea for a piece mixing instruments from different traditions (classical, indian, electronic) came naturally. The poetic idea of the piece was the start of its composition. After few sketches, we set up a fixed formal structure which allowed us to improvise inside of it. Proceeding this way made the performance more coherent. The formal structure is close to a perfect arch form. The material is derived from the night-time raga Yaman Kalyan, with the note C sharp as a polar reference. After a first section based on this raga, a noisy element is introduced little by little, leading to the middle section based on noisy sounds. After this section, the raga reappears progressively.


First beautifully handwritten sketch by Caitlin
First beautifully handwritten sketch by Caitlin


Final score


The sitar and the cello are both amplified and proceed into a Max patch. This patch, conceived by Kristian, includes a sample recorder and shuffler for the cello and a randomized pitch delay for the sitar. Both instruments benefit from an strong reverberation.

Jake, the central element of the piece, controls some samples in Ableton through a Midi keyboard allowing him to interact with multiple parameters of sound.

An important element of the performance resides in the visual element coming from the Max patch. The acoustic instruments as well as the samples controlled by Jake are connected into an x-y matrix that visually represents the changing stereo field. This visual element is a concrete representation of the poetic idea of the piece.

Program note:

Deux regards perdus vers l’horizon represents the perturbations lived by two people who little by little take their distance from each other and find themselves back together. This piece depicts different moments of this process. The acoustic instruments are the representation of these two people. The electronic part symbolizes the main interest in common of these two people, which is the basis of the relationship and the basis of the piece.

Video of the performance edited by Kristian:



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